Rosario (Kate del Castillo) is an illegal immigrant who had to leave her son, Carlitos (Adrian Alonso), behind in Mexico to find work in the U.S. After working dutifully for several years and sending money back home for Carlitos, Rosario goes on a dangerous journey to be reunited with her son. Plus, unbeknownst to her, little Carlitos takes off to find his mother.
Drillbit Taylor comes from the quite remarkable team that brought 40 Year Virgin, Knocked Up, Superbad and Walk Hard. While this movie doesn't quite live up to their ideals, it still is an enjoyable 2 hours.
The plot revolves around 3 students and their horrifying treatment at the hands of a couple of uber-bullies. Enter Drillbit Taylor ( Owen Wilson )- a man who is basically a bum who just wants to at first fleece the kids so that he go to Canada to start anew. However the more he gets entangled in the story, the more he begins to care for the 3 kids.
The plot is incredibly predictable and doesn't really go anywhere amazing. The three kids themselves too are very similar to the three kids from Superbad; just younger. Whether this was a conscious decision or not, it sorta makes the movie have to stand in comparison with Superbad and unfortunately it doesn't have Superbad's black humour. What it does have though is some nice little comic set pieces, particularly in the middle of the film which are helped by Owen Wilson, who seems to be able to play his part effortlessly.
This is a movie that will never set the world on fire, but what it does do is raise a laugh or two without offending anyone ( quite new ground for Judd Apatow and Seth Rogen ). For their first real
This film screened at the SXSW Film Festival in Austin, TX. It is a reasonable well-made based-on-a-true-story film that tells the story of a group of MIT students who attempt to make a fortune counting cards in Vegas. The screenplay apparently plays pretty fast-and-loose with the version told in the book. Never-the-less, the acting is excellent - especially Jim Sturgess in the role of the lead student. Honestly, his accent was so good that I didn't realize - until he came on stage afterward - that he was British. He does a great job with the mannerisms to give you a real sense of the character's evolution. Kevin Spacey and Laurence Fishburne are solid - although Fishburne's role is fairly small. The minor characters are not as well-developed as they could have been. The cinematography of both Boston and Las Vegas is quite good, especially on the big screen. It's an interesting story, but they could have edited down a bit to make it move a little quicker. This is a good film, but it probably could have been a lot better.
The American Basketball Association is on the verge of collapse, and when a former NBA benchwarmer returns to his hometown of Flint, MI, to whip his former team into shape for the playoffs, redemption is just a free throw away in this period sports comedy starring Will Ferrell and Woody Harrelson. Penned by Old School scribe Scot Armstrong, Semi-Pro tells the tale of a 1970s-era basketball player who doesn't have much luck in the NBA, but vows to leave his mark on the sport by coaching the Flint Tropics. When the upstart ABA league agrees to be absorbed by the NBA, only four teams will be allowed in. Jackie Moon must orchestrate a successful season both on the court, and financially off the court with the help of many odd promotional events, in order to remain in the sport he loves. ~ Jason Buchanan, All Movie Guide Trailer:
Casting: Mike Myers - Shrek Eddie Murphy - Donkey Cameron Diaz - Princess Fiona Antonio Banderas - Puss in Boots
When Shrek married Fiona, the last thing he had in mind was becoming the next King. But when Shrek's father-in-law, King Harold, suddenly croaks, that is exactly what he faces. Unless Shrek (with the help of his trusted companions Donkey and Puss In Boots) can find a suitable King for Far Far Away, the ogre could be stuck with the job. The most promising candidate, Fiona's cousin Artie, an underachieving Medieval high school slacker, proves to be more of a challenge than they bargained for.
The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. The story begins when Llewelyn Moss (Josh Brolin) finds a pickup truck surrounded by a sentry of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law -- in the person of aging, disillusioned Sheriff Bell (Tommy Lee Jones) - can contain. As Moss tries to evade his pursuers -- in particular a mysterious mastermind who flips coins for human lives (Javier Bardem) - the film simultaneously strips down the American crime drama and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning?s headlines.
Based on the novel by Pulitzer Prize-winning author Cormac McCarth Trailer: